Discovering Textiles from across the world

  The Handloom Mark again was introduced by the Government of India to promote handwoven from India. The mark clearly reiterates that the product is Handwoven in India. The objective was to provide assurance that the product is genuinely handwoven and there is nothing fake about it. It helps market the product in India and abroad. It also ensures higher price realization. There are two marks one used in the domestic market and the other for international market. The quality assurance is maintained by periodic audits, random verification, self certification and strict penalties if the norms are not adhered to or are misused. The mark has been pretty successful in the Domestic and International markets. (For more information – www.hlm.gov.in)

The mark of assurance, Silk Mark How many times have you walked into a company, to be assured by the seller, “it is pure silk” , and not knowing whether it is a white lie or is he speaking the truth. There are times, when polyester, rayon and mixed yarns are passed off as pure silk. To offset these claims, enter SilkMark –a Government of India Initiative. The silk mark given out by Silk Mark Organisation of India   or SMOI which is under the Silk Board of India. The attributes of the mark are that it is a quality assurance label aimed at protecting interests of all the stakeholders   - consumers, traders and manufacturers of pure silk, it promotes silk generically, it above all builds brand equity of Indian Silk.   It also aims at a cohesive campaign of all stake holders in the silk value chain to promote silk.   The Tag which is used by the stakeholder in the garment is a paper hang tag on which there is a high security hologram. This hologram has a unique serial nu...

We give a brief dictionary on traditional work from Rajasthan, a lot of which finds its way to Jaipur. The intricacies of each process varies and is complicated to say the least - from making the blocks to the process of printing, from tying the knots to the dyeing. We provide a brief glimpse of the same. Weaving Though now most of the work of dyeing, printing is done on fabric procured from elsewhere, Rajasthan did have a tradition of its own weaving. Masuriya Cotton – The very fine, muslin cotton is termed masuriya. Now even combinations with silk is called masuriya. Kota Doria – Here two types of yarn one thicker like 80 counts is combined with finer yarn counts of 120. The handloom weaving results in the fringes of thicker counts whicle the inner is of finer counts. The uneven counts in the cloth can be seen and this results in a better fall for the fabric. Dyeing Bandhej – The traditional tie and dye technique. There are variations in terms of designs that are formed e...

Rajasthan is a treasure trove of textiles both traditional (handmade) and machine made. Of this Jaipur can be called a microcosm of that what can be found in Rajasthan.   Not only for textiles, it is a hub for other range of handicrafts. What works for Jaipur is its ability to apply traditional techniques to create contemporary textiles, transfer paper designs on to fabric at very affordable prices. Jaipur as a fabric hub, is seen more as a place for processing – dyeing, printing or embroidery than for fabric manufacture. The basic fabric in white, off white or coloured is procured by the exporter / fabric manufacturer and then give to the processors on a job work basis. The designs, colours are all explained to him and he processes the fabric accordingly. Though the traditional printing was carried out using vegetable dyes, today it is only for the discerning few that vegetable dyes are used. The non availability of a varied colour palette in vegetable colours and the inability ...

A very old article written by me popped up. It was time to review and know more about how the textiles in Bhutan and the Royal Academy of Textiles was doing. The following is the old article. A further update and article, I will post a bit later. Image courtesy -  Royal Textile Academy, Bhutan  This little Himalayan Kingdom which measures its GDP not as a measure of money or currency but as a Happiness Index – the term Gross National Happiness has its enviable repertoire of textiles. The textiles which I had seen at the various exhibitions organised by Dastkar and Dastakari Haat Samiti, came into their cultural and historical perspective at the exhibition organised at the Indira Gandhi National Centre for Arts, New Delhi, where a host of textiles and jewellery were displayed. Further research via the Bhutanese Embassy led to the email exchange of information from both the Royal Textile Academy and The Textile Museum, Department of Culture, Ministry of Home and Cultural Affai...

This article of mine appeared in Silkmark Magazine, published by Silkmark Organisation of India (SMOI)  The one place stop for Textiles of Bhutan, a veritable living museum as it is termed is the RTA – Royal Textile Academy Image Courtesy - Royal Textile Academy of Bhutan    A very old article written by me popped up. It was time to review and know more about how the textiles in Bhutan and the Royal Academy of Textiles was doing. The following is the old article. A further update and article, I will post a bit later.  Mrs. Dorji, the  Executive Director, Royal Textile Academy  recounted the origins of the RTA -  “ In 2001, the country's first permanent Textile Museum was opened by the Ministry of Home and Cultural Affairs, Royal Government of Bhutan (RGoB) under the patronage of Her Majesty the Queen   Mother Sangay Choden Wangchuck.  This was an important step towards collecting, documenting and displaying our exquisite textiles t...