Skip to main content

EXPERIMENTAL - Project Gamcha - The humble towel comes into its own


 PROJECT GAMCHA – Rangila Dhaga -

Gamcha – what? Just a towel, did you say that…well Project Gamcha by Dastkaari Haat Samiti made it that and beyond. Taking the humble gamcha or towel, they have created a collage, design scape of what can be done with these wondrous weaves. The handloom gamcha has found its place in the sun…actually – the sun, the moon and the stars.

The ordinary gamcha gets its moment under the sun. Taken out from the unsung ordinary to the extraordinary. It has been able to achieve two folds, one to document the various traditional handwoven towels made in the country and two provide a method using the same fabric for apparel, sarees and more.

Gamcha for the uninitiated is the towel that is commonly used everywhere. It is used at home by the family to dry oneself as a towel. However, it comes out on its own when it is used by men. Most men in villages have a towel or an anghavastra on them. It has a host of versatile uses..yes it is ideal to spread on the ground under the shade of the tree for a quick nap, it can be rolled into a bun and kept under the head as a pillow, it can be used to cover the face so that flies do not disturb a midsummer day nap, it is used to wipe the sweat, used as a bun to carry load, worn around the body…well the list can go on…The names commonly used for these are Gamchha, Gamucha, Gamla, The traditional length of the gamcha is 70 inch by 30 inch or so. The cotton is coarse but the fabric goes soft with repeated use. So commonplace that the gamcha is never considered a part of fabric or material.

Gamcha though is the name used in Bengal / Assam / Odisha. It is known by several names like Thundu in Tamil,   Thortu in Malayalam. The North East has its own repertoire of names. The motifs and colours can be used to identify the tribe the person belongs to. The North also uses this extensively.    

Under project Gamcha, many weavers have worked along with Dastkari Haat Samiti to incorporate the weaving into their apparel and fabric. So there are some gorgeous gamcha sarees with jamdani work on them, gamcha material, place mats, runners.. Gunjan has incorporated gamcha weaving with her trademark ikkat and more.  


Catch the exhibition till the 10th March 2025 at National Crafts Museum and Hastkala Academy. And for those keen to know about the fabric, weaves etc..Dastkaari Haat Samiti is the contact point.

Comments

Popular posts from this blog

BOOK REVIEW - Divyambara (Masterpieces of costume from the Collection of the National Museum) by Dr. Lotika Vardarajan

We do a book review this time,  this book Divyambara (Masterpieces of costume from the Collection of the National Museum) by Dr. Lotika Vardarajan with contribution from Sushmit Sharma brought out by the National Museum, New Delhi. Dr. Lotika Vardarajan, a Tagore Fellow passed away suddenly before the book could be released. It is an ideal tribute to her vast knowledge, enthusiasm and spirit in the world of revival and documentation of traditional crafts, arts and preservation of heritage of the country. The book can be called a catalogue, anthology, brief history of sorts of the textile collection at the National Museum. It traces the origins of the textile department which falls under the section of Decorative Arts and then the building of the collection. There are interesting insights which one does not get to hear. The introduction by Dr. Mani clearly states that unlike other Museums which had a repertoire of collected textiles presented to them or gifted to them to begin wit...

INSPIRATIONALLY YOURS - ROYAL TEXTILE ACADEMY OF BHUTAN (RTA)

This article of mine appeared in Silkmark Magazine, published by Silkmark Organisation of India (SMOI)  The one place stop for Textiles of Bhutan, a veritable living museum as it is termed is the RTA – Royal Textile Academy Image Courtesy - Royal Textile Academy of Bhutan    A very old article written by me popped up. It was time to review and know more about how the textiles in Bhutan and the Royal Academy of Textiles was doing. The following is the old article. A further update and article, I will post a bit later.  Mrs. Dorji, the  Executive Director, Royal Textile Academy  recounted the origins of the RTA -  “ In 2001, the country's first permanent Textile Museum was opened by the Ministry of Home and Cultural Affairs, Royal Government of Bhutan (RGoB) under the patronage of Her Majesty the Queen   Mother Sangay Choden Wangchuck.  This was an important step towards collecting, documenting and displaying our exquisite textiles ...

INSPIRATIONALLY YOURS - Hungarian Embroidery - II

( We had briefly given an introduction to Hungarian embroidery or Embroidery from Hungary in the earlier article. Here we look at different types of embroidery from Hungary very broadly. We hope these intricate stitches give you inspiration.)   Different types of Embroidery The stitches common to Hungarian embroidery include satin, cross stitch, daisy and chain stitch and darning stitches. Apart from the fine painstaking Matyo needlework, the Kalocsa embroidery centre is another well known place. Hodmezovasarhely the embroidery style popular in the 17 th /18 th Century is being revived and made into contemporary home furnishings. Cross stitch embroidery from Bereg, red and blue Paloc embroidery, Sarkoz, Transdanubia consisting Rabakoz and Buzsak. Each centre well known for its share of needlework. Halas lace is unique and stands out. The most painstakingly done embroidery, which is outstanding, is embroidery from Matyo. It is beautiful to say the least.  Done using minut...