Skip to main content

INSPIRATIONALLY YOURS - ROYAL TEXTILE ACADEMY OF BHUTAN (RTA)

This article of mine appeared in Silkmark Magazine, published by Silkmark Organisation of India (SMOI) 

The one place stop for Textiles of Bhutan, a veritable living museum as it is termed is the RTA – Royal Textile Academy

Image Courtesy - Royal Textile Academy of Bhutan  


 A very old article written by me popped up. It was time to review and know more about how the textiles in Bhutan and the Royal Academy of Textiles was doing. The following is the old article. A further update and article, I will post a bit later.

 Mrs. Dorji, the Executive Director, Royal Textile Academy recounted the origins of the RTA -  “In 2001, the country's first permanent Textile Museum was opened by the Ministry of Home and Cultural Affairs, Royal Government of Bhutan (RGoB) under the patronage of Her Majesty the Queen

 
Mother Sangay Choden Wangchuck.  This was an important step towards collecting, documenting and displaying our exquisite textiles that are part of our heritage.” A concerted effort was made to involve weavers, local artisans through craft festivals, exhibitions and craft demonstrations. These led to a sense of pride in the traditional textiles, with awareness came demand. Demand resulted in the introduction newer colours, new patterns, intricate weaving and of course the improving of quality of weaving.  Mrs. Dorji continues, “These positive experiences led to the establishment of the Royal Textile Academy in 2005.  Our first initiative has been a building campaign. The multi -phased project is halfway done.  The new Textile Museum and the Weaving & Conservation center were inaugurated in June this year.  Plans are underway for the third (the Administrative Building) and fourth phases (Cultural Heritage Center).”

Apart from promoting and preserving the various textile arts, the RTA is also working on economic or financial empowerment of weavers’ majority of who are women. The traditional weaving skill will be transformed into an income generating activity for the women. A programme for weavers to learn the skill and encourage those who have given it up as it is not economically viable any more has been introduced with funding from Canadian Fund for Local Initiative and CSO Fund Facility.  It is also conducting training and workshops in weaving and yarn dying, the RTA also aims to organize trainings in internationally accepted methods and techniques of conservation and preservation of textiles and other artefacts.

Image Courtesy - 
Royal Academy of Bhutan


Today, the RTA is preserving, reviving and ensuring a platform for the younger generation to learn the art of weaving. Exhibitions, international collaboration and educational programmes go a long way in encouraging the craft and craftsmanship. It has on its agenda the inclusion of the other 12 crafts. 

With fusions, collaborative efforts being the buzzword of today, can the Indian silk saree get a modernistic twist with patterns from Bhutan – an attached Bhutan inspired border or pallav!

 


Comments

Popular posts from this blog

BOOK REVIEW - Divyambara (Masterpieces of costume from the Collection of the National Museum) by Dr. Lotika Vardarajan

We do a book review this time,  this book Divyambara (Masterpieces of costume from the Collection of the National Museum) by Dr. Lotika Vardarajan with contribution from Sushmit Sharma brought out by the National Museum, New Delhi. Dr. Lotika Vardarajan, a Tagore Fellow passed away suddenly before the book could be released. It is an ideal tribute to her vast knowledge, enthusiasm and spirit in the world of revival and documentation of traditional crafts, arts and preservation of heritage of the country. The book can be called a catalogue, anthology, brief history of sorts of the textile collection at the National Museum. It traces the origins of the textile department which falls under the section of Decorative Arts and then the building of the collection. There are interesting insights which one does not get to hear. The introduction by Dr. Mani clearly states that unlike other Museums which had a repertoire of collected textiles presented to them or gifted to them to begin wit...

INSPIRATIONALLY YOURS - Hungarian Embroidery - II

( We had briefly given an introduction to Hungarian embroidery or Embroidery from Hungary in the earlier article. Here we look at different types of embroidery from Hungary very broadly. We hope these intricate stitches give you inspiration.)   Different types of Embroidery The stitches common to Hungarian embroidery include satin, cross stitch, daisy and chain stitch and darning stitches. Apart from the fine painstaking Matyo needlework, the Kalocsa embroidery centre is another well known place. Hodmezovasarhely the embroidery style popular in the 17 th /18 th Century is being revived and made into contemporary home furnishings. Cross stitch embroidery from Bereg, red and blue Paloc embroidery, Sarkoz, Transdanubia consisting Rabakoz and Buzsak. Each centre well known for its share of needlework. Halas lace is unique and stands out. The most painstakingly done embroidery, which is outstanding, is embroidery from Matyo. It is beautiful to say the least.  Done using minut...