Skip to main content

SOURCING HUB - CRAFTS DONE IN JAIPUR

We give a brief dictionary on traditional work from Rajasthan, a lot of which finds its way to Jaipur. The intricacies of each process varies and is complicated to say the least - from making the blocks to the process of printing, from tying the knots to the dyeing. We provide a brief glimpse of the same.

Weaving

Though now most of the work of dyeing, printing is done on fabric procured from elsewhere, Rajasthan did have a tradition of its own weaving.

Masuriya Cotton – The very fine, muslin cotton is termed masuriya. Now even combinations with silk is called masuriya.

Kota Doria – Here two types of yarn one thicker like 80 counts is combined with finer yarn counts of 120. The handloom weaving results in the fringes of thicker counts whicle the inner is of finer counts. The uneven counts in the cloth can be seen and this results in a better fall for the fabric.

Dyeing

Bandhej – The traditional tie and dye technique. There are variations in terms of designs that are formed each of which are known by different names. Some complicated ones use rice for tying. The microscopic formations are difficult to duplicate. The Bandhej from the Shekhawati region is well known for its intricacy and beauty.

Leheriya -  Meaning like a tide akin to tidal waves. The dyeing is done in wrap resist technique. The fabric is folded or rolled, and then tightly tied and then dyed, this creates a diagonal or horizontal dyed effect depending on how the cloth is initially folded. When the same technique is repeated, the effect created is checkered. Some leheriya pieces of cloth have 5 colour or 7 colour combinations.

 

Do Rookha Dyeing – A very special manner of dyeing in which both the sides of cloth are dyed in different colours. Colour fastness though is said to be a casualty here.    

Block Printing 



Dabu block printing – It is the direct block printing or resist printing. The materials used are wax, clay and resins.

Bagru – The motifs of the block prints from this area are large with bold lines. Dark colours of red, blue or yellow are used. The inspiration are wild flowers, trees, leaves, geometric patterns. It is in a bold format and the look is bold. The method of printing here is called Bagru earth

Dabu. The process does not involve the use of too many washings.

Sanganer – As opposed to the Bagru, the prints from the town of  Sanganer called Sanganari prints are basically done on a white background. These prints are very delicate and the motifs are softer. The inspiration is from English flowers like poppies, iris, roses and lilies. The colours and look is subtle unlike the usual repertoire of bright colourful Rajasthani textiles. 

Akola -  It is more or less like Bagru.

Ajrakh – Typically from Barmer, it is done in dark shades. Printing in bright shades of blue, red or green. Geometric patterns, abstract prints are its characteristics.  

Gold printing – This is a technique evolved indigenously to Jaipur. The work done with gold, silver, brass or copper on objects was replicated on to cloth. In this printing is done with gold leaf, silver leaf or dust or mica. An adhesive is used which allows the mica, gold or silver to settle permanently. This gives the delicate glint to the motifs.

Nathadwar block printing – Though famous for the Pichhwai paintings, the block printing tradition is unique. The blocks are made of sandalwood. The use of the sandalwood blocks on cloth for printing imparts the smell of sandalwood to the cloth. The fabric when washed gives off a whiff of sandal perfume. Well, nice smelling fabrics indeed!!!

Embroidery – Using the basic stitches of cross, running or chain stitches, with embroidery, shells, tassles, the women create some exquisite needle work masterpieces. Highly in demand for furnishings, garments and accessories (belts, handbags…)

 

 

(We have compiled a very small list of traditional work from this area. We will like to keep it updated adding to it all types of work on textiles be it with hands or machines. Our point, so long as it is done on textiles in Jaipur we carry it. So if you know of more such textile applications please let us know and we will add to our ever growing list! )

Comments

Popular posts from this blog

INSPIRATIONALLY YOURS - ROYAL TEXTILE ACADEMY OF BHUTAN (RTA)

This article of mine appeared in Silkmark Magazine, published by Silkmark Organisation of India (SMOI)  The one place stop for Textiles of Bhutan, a veritable living museum as it is termed is the RTA – Royal Textile Academy Image Courtesy - Royal Textile Academy of Bhutan    A very old article written by me popped up. It was time to review and know more about how the textiles in Bhutan and the Royal Academy of Textiles was doing. The following is the old article. A further update and article, I will post a bit later.  Mrs. Dorji, the  Executive Director, Royal Textile Academy  recounted the origins of the RTA -  “ In 2001, the country's first permanent Textile Museum was opened by the Ministry of Home and Cultural Affairs, Royal Government of Bhutan (RGoB) under the patronage of Her Majesty the Queen   Mother Sangay Choden Wangchuck.  This was an important step towards collecting, documenting and displaying our exquisite textiles ...

INSPIRATIONALLY YOURS - Hungarian Embroidery - II

( We had briefly given an introduction to Hungarian embroidery or Embroidery from Hungary in the earlier article. Here we look at different types of embroidery from Hungary very broadly. We hope these intricate stitches give you inspiration.)   Different types of Embroidery The stitches common to Hungarian embroidery include satin, cross stitch, daisy and chain stitch and darning stitches. Apart from the fine painstaking Matyo needlework, the Kalocsa embroidery centre is another well known place. Hodmezovasarhely the embroidery style popular in the 17 th /18 th Century is being revived and made into contemporary home furnishings. Cross stitch embroidery from Bereg, red and blue Paloc embroidery, Sarkoz, Transdanubia consisting Rabakoz and Buzsak. Each centre well known for its share of needlework. Halas lace is unique and stands out. The most painstakingly done embroidery, which is outstanding, is embroidery from Matyo. It is beautiful to say the least.  Done using minut...

SOURCING HUB Jaipur – the gateway to textiles from Rajasthan

Rajasthan is a treasure trove of textiles both traditional (handmade) and machine made. Of this Jaipur can be called a microcosm of that what can be found in Rajasthan.   Not only for textiles, it is a hub for other range of handicrafts. What works for Jaipur is its ability to apply traditional techniques to create contemporary textiles, transfer paper designs on to fabric at very affordable prices. Jaipur as a fabric hub, is seen more as a place for processing – dyeing, printing or embroidery than for fabric manufacture. The basic fabric in white, off white or coloured is procured by the exporter / fabric manufacturer and then give to the processors on a job work basis. The designs, colours are all explained to him and he processes the fabric accordingly. Though the traditional printing was carried out using vegetable dyes, today it is only for the discerning few that vegetable dyes are used. The non availability of a varied colour palette in vegetable colours and the inability ...